In the gaming world everyone loves the shiny, new thing. But when that fascination gets in the way of appreciating enduring quality, it should be resisted. Even though several years past its release date, now, I still say that, in the category of free games, still the top of the line in the best games for PC remains this swell bossa nova noir game, as I like to call it, Gravity Bones. A delightful standalone game, it immerses the player in a kind of avant garde art piece, functioning as a first person player mode, where we find ourselves strolling through a world of spy-like intrigue.
There are only two levels and you can play through the entire thing in probably about 20 minutes - at least once you figure out how the heck to get to that fourth bird. It is mission based with a learning arch embedded into the process, which is executed quite cleverly. It comes in a zip file and needs no installation. It requires about 20MB of disk space.
None of that though really gives you a sense of what's so great and fun about this game. It is experience-based and beautifully realized. Though technically a first-person game that description is misleading. This one kind of busts open a genre all of its own: bossa nova noir!
It wouldn't be accurate to deny it having a story, but the sense of story is much more sophisticated than the paint-by-numbers storytelling of so many popular games. As the various tasks are fulfilled a story does take shape, but what is exactly happening is always a bit up in the air. Indeed, in keeping with the distinctive visual style, it wouldn't be unfair to compare this game to a avant garde film: which is to say that the story is subject to considerable interpretation.
Just a few brief moments after starting, the player is injected right into the action. You discover yourself stepping off an elevator amid some sort of Euro-spy scene. Even as the elevator descends (which is kind of funny, down from where exactly are you coming?), you're aware of coming into dressed guests of some black tie cocktail party. The fete is spread out over a series of terraces overlooking breathtaking vistas of a mountain enveloped lake. A cool bossa nova sound track accompanies your meandering through the crowd of squares (inside joke). You're initial mission has already begun.
This first level, really more a test run, is rapidly completed. Then you're coming off a second elevator and things are a little more elaborate and complicated this time, as you have to find your way through back corridors and across catwalks on an ominous and stormy night.
I have almost no criticisms of this elegant and compact great little game. The one thing I didn't like though was the clue cards, invariably telling you to head to a furnace room. I could have totally done without those. And, in fact, I did do without them. I simply ignored them and had a lot more fun finding my way about through exploratory trial and error. At most the cards should be optional, I think. My method was loads more fun.
The aesthetics of this game are beautiful and the play is engaging. I really appreciated the creator's wise choice to not resort to the standard polygon realism so rampant in the gaming world today. Instead, the choice to conjure up a vivid and original world is far more beautiful and satisfying than would have been the same challenges put into the usual boring "realism." The espionage sensibility evokes a sense of playful self-mocking that doesn't slip over into cloying irony.
This short and sweet game is still a total winner. If you haven't yet checked it out, you definitely should. For both play and aesthetics alike it remains our number one choice among the best games for PC in the free category.
There are only two levels and you can play through the entire thing in probably about 20 minutes - at least once you figure out how the heck to get to that fourth bird. It is mission based with a learning arch embedded into the process, which is executed quite cleverly. It comes in a zip file and needs no installation. It requires about 20MB of disk space.
None of that though really gives you a sense of what's so great and fun about this game. It is experience-based and beautifully realized. Though technically a first-person game that description is misleading. This one kind of busts open a genre all of its own: bossa nova noir!
It wouldn't be accurate to deny it having a story, but the sense of story is much more sophisticated than the paint-by-numbers storytelling of so many popular games. As the various tasks are fulfilled a story does take shape, but what is exactly happening is always a bit up in the air. Indeed, in keeping with the distinctive visual style, it wouldn't be unfair to compare this game to a avant garde film: which is to say that the story is subject to considerable interpretation.
Just a few brief moments after starting, the player is injected right into the action. You discover yourself stepping off an elevator amid some sort of Euro-spy scene. Even as the elevator descends (which is kind of funny, down from where exactly are you coming?), you're aware of coming into dressed guests of some black tie cocktail party. The fete is spread out over a series of terraces overlooking breathtaking vistas of a mountain enveloped lake. A cool bossa nova sound track accompanies your meandering through the crowd of squares (inside joke). You're initial mission has already begun.
This first level, really more a test run, is rapidly completed. Then you're coming off a second elevator and things are a little more elaborate and complicated this time, as you have to find your way through back corridors and across catwalks on an ominous and stormy night.
I have almost no criticisms of this elegant and compact great little game. The one thing I didn't like though was the clue cards, invariably telling you to head to a furnace room. I could have totally done without those. And, in fact, I did do without them. I simply ignored them and had a lot more fun finding my way about through exploratory trial and error. At most the cards should be optional, I think. My method was loads more fun.
The aesthetics of this game are beautiful and the play is engaging. I really appreciated the creator's wise choice to not resort to the standard polygon realism so rampant in the gaming world today. Instead, the choice to conjure up a vivid and original world is far more beautiful and satisfying than would have been the same challenges put into the usual boring "realism." The espionage sensibility evokes a sense of playful self-mocking that doesn't slip over into cloying irony.
This short and sweet game is still a total winner. If you haven't yet checked it out, you definitely should. For both play and aesthetics alike it remains our number one choice among the best games for PC in the free category.
About the Author:
To get the news on the top pay games for PC, you have to check out Mickey Jhonny's picks of the best games for PC. Those keen on the joys of emersive, parallel worlds will love his piece over at Pretty Much Dead Already on the phenomenon of the Walking Dead Fanfiction .
No comments:
Post a Comment